Through symbolic imagery and surreal color, my work reflects upon the historically mystical and mythological relationship between humankind and nature. Recurring subjects such as suns, moons, mountain ranges, waterfalls, mirages, and rivers all reference corporeal and natural cycles: lunar, solar, seasonal, menstrual, reproductive, atmospheric, and botanical. Informed by the visual histories of Japanese ukiyo-e, Hudson River School painting, and spiritualist archetypes, I explore oppositional forces, imbuing the work with omens centered around the animus, erotic desire, and time. Otherworldly color is methodically applied, removed, thinly stained, or impastoed in contoured waves–all by hand with no tape or tools–in highly considered palettes denoting time of day, temperature, mood, or seasonality. Attention to surface and materiality of the paint adds to the coded symbology employed within each painting. Some scenes are entirely imagined, sketched to illustrate relationships and emotions between myself and others, while others are inspired by places I’ve had significant experiences at. Teetering between fact and fiction, my work highlights the friction between an inherent trust in nature as a guide and humankind’s belief in signs and symbols to extract meaning and purpose from the everyday. This duality depicts a delicate wavering between serenity and sorrow, isolation and interdependence.